sculpture

Sculptural commissions for Pencoedtre Lane, Barry

Apply: 
deadline for applications: 
09.02.2012
description: 

Introduction
Taylor Wimpey plc wish to appoint an artist to design and create a series of artworks for a new housing development at Pencoedtre Lane in Barry, Vale of Glamorgan. Taylor Wimpey are one of the largest homebuilders in the UK, operating from 24 regional offices across England, Scotland and Wales.

The Pencoedtre Lane housing development is located between Pencoedtre Road and Port Road East on the outskirts of Barry, and will consist of 67 new homes as well as a new playground over an area of 81,480 square feet.

Barry is a town of over 47,000 people and has many strengths and opportunities. These include a scenic coastal setting, an extensive dockland area situated between the town centre and its seaside resort and beaches, a railway running through the heart of the town, close proximity to the capital city in the east and Wales' only International Airport to the west.

In July 2003 the Vale of Glamorgan Council adopted a Percent for Art policy for new developments in the Vale to ensure the procurement of public art throughout the authority and this project is an example of this policy put into practice.

Background
Taylor Wimpey was formed by the merger of George Wimpey and Taylor Woodrow in 2007 and covers most of the UK, building both private and affordable housing.
Taylor Wimpey acquired the Pencoedtre site in 2010 and was granted planning permission to develop 67 homes on the site in December 2011. 47 of the units will be private homes ranging from 3 to 5 bedrooms, and 20 units will be affordable housing ranging from 2 to 4 bedrooms.

The Site
Previously the site was two open fields; the second smaller field is surrounded by Pencoetre Wood to the east of the development. A third field is being retained as a paddock within the wood. To the west of the site, across Pencoedtre Road is Bryn Hafren Comprehensive School and their playing fields. To the north across Port Road East is a golf course, and to the south is a residential area. The woodland context and natural character of the site will be retained through planting of new hedgerows and trees and retaining existing trees where possible.

There is a water main running along the Port Road East boundary to the site, but this should not affect the locations of the artworks. Site survey information will be made available to the selected artist.

There are three locations suggested for artworks within the scheme. The first two are along the Port Road East boundary where there is pedestrian access to the site. One footpath existed prior to the development as a right of way and is at the top north corner of the site, a little way from the housing. The other footpath leads into the housing area and will be frequently used by those using the bus service along Port Road as it will lead directly to the bus stop. Both of these entrances are key locations in terms of visibility from Port Road East, which is a heavily trafficked road for those entering Barry or travelling to Cardiff Airport.

It is envisaged that gateways/ sculptural markers are created for either side of the footpaths to welcome people into the site. The scale of these should be in keeping with the nearby housing and planting and at a 'human' scale rather than major landmarks.

The third site identified for artworks is the perimeter railings around the new playground.

The Commission
This is an exciting opportunity to make a creative and distinctive mark on a contemporary new housing scheme. As described above, sites have been identified and the possibilities of the commission are twofold: to create entrance features, and to create artworks for the playground railings.

There is no set theme for the artworks but it is expected that the artist will research the area and develop designs which are contemporary and complement the natural environment. The entrance features should be striking, sending a message to passing traffic that there is a new quality scheme on the site, and they should be welcoming for the residents. Subjects to consider could be the various structures that have functioned as homes for people and animals, or Pencoetre Wood.

For the playground railings, it is envisaged that the artist would create designs and motifs to be added to a section of the railings which will help animate and enliven the area. One possible way of doing this would be for a section of the standard railings to be delivered to the artist prior to galvanising and painting, for the artist to add the artworks and then galvanise and paint the customised railings. However, we are open to other ways of working suggested by the selected artist.

Although there is no set theme or subject for the railings, it would be an advantage for the project if the artist were to explore themes and imagery with pupils of the nearby comprehensive school and local primary school. The public art project manager would be able to arrange the dates and times of the workshop sessions, which would help raise awareness of the project and may mitigate future vandalism. (We envisage 3 or 4 days of workshops). Taylor Wimpey have already engaged with Bryn Hafren Comprehensive school and have set a competition to find a name for the housing development.

Issues to do with vandalism and maintenance should be considered at the outset during the design stage. Robust materials should be used for the artworks such as steel and stone. An important aspect of the design process will be to consult with staff at Taylor Wimpey including the architect, and landscape architect.

Timetable
There is a fairly short schedule to develop designs, which need to be completed by the end of April and submitted to the Vale of Glamorgan planning department. However, there is then almost 12 months in which to make the work. Once the designs are agreed the artist will need to prepare detailed designs including engineering calculations, foundations and installation details. It would be desirable to complete the playground area by September/October 2012 and the entrance sculptures by January 2013.

Contracts
There will be an initial design contract to cover the first phase of work for concept and detailed design. Once the designs are agreed there will be a commission contract to implement the artworks. Payments will be staged and the payment amounts will be agreed with the artist. (If a joint application is successful, the contract can either be with just one artist, or separate contracts can be agreed for both artists).

Professional Practice
In the event of commissioning details of Public and Product Indemnity will be required sufficient to provide the client with assurance on matters of liability and so that neither the client or contractor are exposed to undue risk on any element commissioned from the artist.

Procedure
This brief has been widely advertised locally and nationally. A short-list of up to 4 artists will be selected for interview. Interviews will take place on Tuesday 21st Feb. The interview panel will consist of the public art consultant, representatives of Taylor Wimpey and the Vale of Glamorgan Arts Development Officer. Reasonable travel expenses to interview will be re-imbursed.

The selected artist will be expected to have experience of creating and installing a project of a comparable scale/complexity, have an awareness of the technical issues likely to arise and experience of cost control on a project of similar value. Joint applications from artists are also welcome.

The criteria for selection will be based on:

Creativity shown in past projects
Evidence from previous work that the candidate can deliver designs within a compressed timescale
Experience of collaborating with a landscape architect/architect and/or integrating art into the public realm.
The proposed working methodology as described at interview
Compatibility with the project team.
Our judgement of the perceived suitability of the candidate’s work based on past built and un-built projects.

To apply for the project please send images of your previous work on CD as a powerpoint or pdf document with an image list, a CV, and a brief letter outlining your interest in this project. Email applications also accepted up to a file limit of 12MB. Also, please let us know your availability for interview on 21st Feb.
Send applications to: Celfwaith, 7 Pontfaen, Cardiff, CF23 7DU

Due to the short timescale for the design phase, we will short-list immediately after the deadline, therefore no late applications will be accepted.

For further information contact:

Mererid Velios, tel: 02920750992, email: mererid@celfwaith.co.uk

budget: 
There is a budget of £4800 +vat for both concept and detailed design work (including workshops at the schools and fees to an engineer for structural calculations). The commission budget is £52,000 +vat (to include all artist's fees, materials, labour, fabrication, delivery, site preparation, and installation). Every aspect of completing the project must be included within this budget and the artist must not assume any 'in kind' assistance from Taylor Wimpey or site contractors in terms of site preparation or installation, therefore the artist must be self-sufficient and consider every cost that is likely to occur.

Jackson Quay Sculpture

completion date: 
10/06/2011
artist: 
Angharad Pearce Jones
Jackson Quay Sculpture
description: 

Jackson Quay, a new housing development within the Barry Waterfront area, officially opened on June 10th 2011. With views over No. 1 Dock and a welcoming entrance sculpture by Angharad Pearce Jones, it is a great example of affordable housing.

Newydd Housing Association commissioned Angharad Pearce Jones to collaborate with the scheme architects Tony King Architects Ltd to create a sculptural landmark at the entrance to the site. The original plans for the pedestrian access to the site were put aside, to allow the artist a blank canvas and fresh look at the space. By combining her response to the style and scale of the architecture, local research about the history of the docks, as well as consultation with current Newydd Housing Association tenants, the artist developed her design.

Five stylised 'trees' stand along the curved edge of the pedestrian entrance area, looking out towards the direction of the town centre. (Their height means they can be seen from the Civic Offices) The tops of the trees are made up of sweeping, interlocking curves in a style reminiscent of Charles Rennie Mackintosh and the tree trunks are more solidly industrial looking, reminiscent perhaps of the large dock stanchions. As with much of Angharad's work, there is a merging of the feminine with the industrial, to highlight that they are not mutually exclusive and make visible women's role in an industrial society.

It was decided to keep the area as open and welcoming as possible, so there is no fencing in front of the artwork. However, the housing on either side is fenced, and along these two sections of fencing, the artist incorporated a complementary curved design in keeping with the sculptures.

In parallel with the design development, the artist facilitated school workshops at Barry Island Primary School and Gladstone Primary School, to raise awareness of the housing scheme and introduce the children to the process of designing metalwork. Further workshops were held at Gladstone to enable the artist to create a permanent artwork for the school from the children's designs, which is now installed on the wall overlooking their playground.

Thompson Street Footbridge Dominoes

completion date: 
10/05/2010
artist: 
Lulu Quinn
Thompson Street Footbridge Dominoes
description: 

This project is a celebration of the cultural diversity of youth activities in Barry both past and present. The Domino Club was established in Barry between 1947 and 1951, and involved young people in theatre, performance and carnival activities. The series of slate dominoes, edged in mirror-finished stainless steel have photographic portraits of ex-Domino club members as well as today’s youth, in place of the ‘dots’ on the dominoes. A poem about Thompson Street written by one of the Domino Club members is letter cut into the first domino. The artist Lulu Quinn researched the history of the Domino Club and met with current youth members of Area 41 youth club to involve them in making photographic portraits of themselves.

The regeneration of Barry Waterfront has to date seen significant residential development, the creation of a retail hub and the business and innovation quarter. The Thompson Street Footbridge is a key element in reconnecting the main retail centre of Barry with the Waterfront area. Thompson Street runs north-south from Holton Road to the new footbridge, which connects with the Waterfront area. The Holton Road shopping area was the first phase of town centre improvement works, which also included a public art scheme (see http://www.celfwaith.co.uk/node/1223).

The bridge and artwork were formally unveiled on May 10th 2010.

Blaenavon Spiral

completion date: 
21/05/2009
artist: 
Sue Hiley Harris
Blaenavon Spiral - Sue Hiley Harris 1
description: 

Background

Blaenavon and its wider industrial landscape was rewarded in December 2000 when the United Nations Educational, Scientific and Cultural Organisation (UNESCO) inscribed the Blaenavon Industrial Landscape as a World Heritage Site under the 1972 World Heritage Convention for the protection of the World’s cultural and nature heritage. In its recommendation the UK Government outlined the significance of the area.

“The Blaenavon Industrial Landscape presents a large number of individual monuments of outstanding value within the context of a rich and continuous relict landscape, powerfully evocative of the Industrial Revolution. It is one of the prime areas in the world where the full social, economic and technological process of industrialisation through iron and coal production can be studied and understood.”

In January 2008 Celfwaith was appointed by Torfaen Borough Council to manage a public art design competition which would specifically seek craftspeople to develop proposals for public art in Blaenavon and for the Iron Trails. Eight craftspeople were selected to develop site-specific proposals which they presented to a large group of Blaenavon residents.

This exercise was intended to generate new ideas and approaches to public art by involving artists with great design and making skills but who perhaps had not had the opportunity to work at a larger scale or in the public realm before. It was also intended as preparatory design work for future years of Heads of the Valleys funding and to avoid the end of year scramble to spend allocated funding.

The Commission

Later in the year, Celfwaith was again appointed to help implement two public art projects in Blaenavon as part of the £1.7 million Blaenavon Town Centre Regeneration Scheme (2006-2009) which was funded by the Welsh Assembly Governments Physical Regeneration Fund and a Town Improvement Grant from the Department of Economy & Transportation.

Sue Hiley Harris was one of the eight craftspeople originally selected to develop public art proposals and it was one of her proposals for a location in Blaenavon known as the ‘gap site’, that had been particularly favoured by those who had attended the artists’ presentations. The site is a gap between two houses at the top of Broad Street, and was lacking any clear identity or purpose. It was unattractive and contributed very little to the character and vitality of the town centre.

Her proposal was to create a spiral shaped form in stone within the paved site, which would rise gradually out of the ground up to seat height. The top surface of the spiral is the same riven Blue Pennant Sandstone from Gwrhyd Quarry near Swansea that has been used as paving on the site and which is used throughout Blaenavon. However, these large blocks have a diamond-sawn finish on six sides and the top and sides were flamed to provide a precise, durable finish not subject to laminate.

Behind the spiral and following its curve, a number of corten steel posts are set into the ground, in the form of ‘pigs’- the bars of iron created during the steel-making process and transported throughout the world. Stamped onto the pigs are the names of countries that iron was sent to from Blaenavon. As the spiral emerges from the ground, and as the ‘pigs’ gradually increase in height, reference is made to how natural minerals were taken from the ground in this area of South Wales and formed into valuable assets to be traded.

Sue Hiley Harris designed this artwork with landscaping advice and support from Andrew Nevill. The stone is from Gwrhyd Quarry and the corten steel ‘pigs’ were fabricated by DAR Design.

John Fielding Memorial, Llantarnam

completion date: 
26/01/2008
artist: 
Teucer Wilson
John Fielding Memorial 1
description: 

On January 26th 2008 the John Fielding Memorial by Teucer Wilson was unveiled as part of the annual John Fielding parade. The John Fielding Memorial Sculpture was unveiled by The Worshipful the Mayor and a speech was also made by Paul Murphy MP for Torfaen.

John Fielding was awarded the Victoria Cross for his actions at the defence of Rorke's Drift during the Anglo-Zulu war in 1879. John Fielding, also known as John Williams, was 21 when he risked his life to save eight hospitalised soldiers. Fielding House used to occupy the site and John Fielding’s grave is located in St Michael's Churchyard, Llantarnam, which is opposite the new housing development.

The artwork is a single boulder of slate, polished, carved and letter-cut . The artist wanted the work to not only remember John Fielding, but also act as a tribute to the bravery of all those involved in such engagements. The work is respectful of the courage and bravery of soldiers, but also has an uplifting and poetic quality. It is a lyrical work which is suggestive of battle in general terms, rather than recording the facts of a certain battle.

The words are lines from a Welsh hymn called The Hirlas Horn:
Fill high the blue Hirlas!
That shines like a wave,
When sunbeams are bright,
On the spray of the sea,
And bear thou the rich
Foaming mead to the brave
The Dragons of Battle,
The sons of the Free!

The Hirlas Horn was a drinking-horn. It was long, blue and rimmed with silver. When not filled with the best Welsh ale it was also used to sound an alarm on the battlefield. A curved horn is carved in relief above the words.

On the back of the slate stone is a carved lion, which is a symbol on the Victoria Cross itself. The words “Yr hwn sy’n ddewr, sy’n rhydd” are also carved, - “he who is brave, is free.”

The artwork was commissioned by Torfaen County Borough Council but made possible through funding from Redrow Homes.

media coverage:
The work and unveiling features on http://news.bbc.co.uk/1/hi/wales/south_east/7028604.stm

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